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Bronx Exhibit Explores Hip Hop's Influence on Art
"One Planet Under a Groove: Hip Hop and Contemporary Art"
October 26, 2001 - March 3, 2002
Work by Jean-Michel Basquiat, David Hammons, Keith Haring, Chris Ofili, Adrian Piper, Gary Simmons, and Others
September 27, 2001
From October 26, 2001 through March 3, 2002, the Bronx Museum of the Arts will present
"One Planet Under a Groove: Hip Hop and Contemporary Art." The
first exhibition to examine the impact of hip-hop culture on
contemporary visual art, it will feature the work of
30 visual artists based in the
U. S., Latin America, Europe, and Japan, including
more than 60 works of paintings, sculpture, drawings,
photographs, installations, and videos. All pieces were created in the past 20 years
by artists who have been influenced by hip-hop music and its culture.
Prominent artists in the exhibition include Jean-Michel Basquiat, David
Hammons, Keith Haring, Chris Ofili, Adrian Piper, and Gary Simmons.
Although graffiti art, DJing, rapping, and breakdancing have all received
popular and critical attention, "One Planet Under a Groove" is the first
exhibition devoted to visual artists whose work is informed by elements of
hip-hop culture. Previous hip-hop exhibitions have focused on historically
significant artifacts, such as CDs, videos, and clothing, but the Bronx
Museum show features works by visual artists that draw from the aesthetic,
political and social contexts of hip-hop culture. The participating artists
span several artistic generations which roughly correlate with different
moments in the evolution of hip hop. Their work shares similar cultural and
historical roots, yet has been shaped by their own perspectives. Some of
the earliest works in the exhibition from the 1980's
by artists Jean-Michel Basquiat and Keith Haring helped to define a visual
hip-hop aesthetic with frenetic styles literally evoking the "cutting" and
"scratching" techniques of the early hip-hop DJs. Works from the early
1990's by artists such as Mel Chin, Renee Green, and Gary Simmons take a
more political perspective and subvert common assumptions or stereotypes
about hip-hop culture.
The exhibition also features new work by emerging artists such as Sanford
Biggers, Juan Capistran, Luis Gispert, and Susan Smith-Pinelo. And there is
work created expressly for the exhibition. For example, The Hip-Hop Project
(2001) by New York-based
Nikki S. Lee is a series of photographs of the artist engaging in various
activities with select members of the New York hip-hop community.
Part of a year-long celebration of the 30th anniversary of the Bronx Museum
of the Arts, "One Planet Under a Groove" is organized by Bronx Museum Curator
Lydia Yee and Guest Curator Franklin Sirmans. An illustrated catalogue
accompanies the exhibit. It includes essays by the curators and
cultural critic Greg Tate, a staff writer at the Village Voice and
writer-at-large for VIBE. After its presentation at the Bronx Museum, the
exhibition is scheduled to travel to several venues throughout the U.S.
"One Planet Under a Groove: Hip Hop and Contemporary Art" is made possible
through major support from the Rockefeller Foundation and the Andy Warhol
Foundation for the Visual Arts. Nikki S. Lee's Hip-Hop Project is made
possible, in part, by the Bronx Museum of the Art's Collaborative Art
Projects (CAP) with the generous support of the Nathan Cummings Foundation,
Metropolitan Life Foundation and EAB.
The Bronx Museum of the Arts is a twentieth-century and contemporary art
museum, founded in 1971, to serve the culturally diverse populations of the
Bronx and the greater New York metropolitan area. The Museum has a
long-standing commitment to increasing and stimulating audience
participation in the visual arts through its Permanent Collection, special
exhibitions, and education programs. "One Planet under a Groove" reflects the
Museum's on-going efforts to expand critical discourse and to provide a
progressive forum for cross-cultural dialogue. The museum receives ongoing
general operating support from The New York City Department of Cultural
Affairs with the cooperation of Bronx Borough President Fernando Ferrer and
the New York City Council; the U.S. Department of Housing and Urban
Development; the Bronx Delegation of the New York State legislature, as well
as private supporters.
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