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Marcy Playground puts out a pretty impressive sound for a trio that for
all intents and purposes is unplugged, in a '90s sense of the word,
anyway. Frontman John Wozniak sports an acoustic Carlos guitar (which he
claims to have purchased for $20 at a garage sale), and bassist Dylan
Keefe plays a hollow body Epiphone, his body draped over the instrument
like a mad chemist immersed in a hard day's work at the lab.
Opening the set with "Poppies," the band played a relaxed, if somewhat
slow-moving set of about 20 of Wozniak's self-penned compositions to a
packed house at the Knitting Factory on Friday night, January 23rd, which
may not actually have been all that hard to achieve, given the size of the
venue. The club is not much bigger than my living room; the acoustics are
better, however, and I didn't have to worry about spilling beer on the
rug.
If I had to give Marcy Playground's music a quick disposable
description, it would be acoustic grunge. The band, whose members
originally hail from the area, have returned home with a sense of triumph.
Dressed in a black K-Rock jersey and blue jeans, 27-year-old Wozniak spoke
about the band's momentum. "Last time we played in New York was at the
Ludlow Café to a pretty quiet crowd," he said, referring to the Lower
Eastside eatery. "It's good to have some warm bodies in the room."
The bodies were, in fact, very warm at the concert.
(This may have had to do with the fact that the Knitting Factory was a tad
too generous with their thermostat that evening -- thank God for coat
checks). Riding on the back of their single, "Sex and Candy," Marcy
Playground has managed to build a solid and moderately religious core
following.
Not so long ago, however, things were far less rosy for the band. Marcy
Playground was one of EMI's roster of acts who were left stranded when the
label suddenly folded about seven months ago. Fortunately, after a brief
stint in record label limbo, the band was subsequently picked up by
Capitol, a subsidiary of EMI's parent company.
Wozniak assembled Marcy Playground in 1994 upon returning to New
York City after attending Evergreen College in Olympia, Washington. The
band's sound has been likened to that of Nirvana and other "Seattle-based"
bands of the early '90s. Like Cobain, Wozniak has battled demons
associated with a predilection towards heroin, although he appears to have
left that aspect of his career behind him.
As mentioned, the trio, rounded out by Dan Rieser on drums, puts out a
large sound, given the instrumentation and size of the group. Wozniak has
a lazily attractive if somewhat unassuming style of vocals; the band's
onstage manner is relaxed and playful.
I guess if I have one complaint about the group it would be that they
lack a bit of a wallop. I'm not suggesting that the band run out and buy
smoke machines and paint their faces like Gene Simmons, however, they
could use a little more action: an electric guitar, some backing vocals,
naked dancers, I don't know.
The lack of theatrics notwithstanding, the crowd at the Knitting
Factory seemed pleased with the local heroes on Friday night. As I looked
about, I realized that I was in the midst of an audience who actually
cared about the subject matter of Wozniak's songs. I heard the fellow in
back of me repeating the lyrics verbatim, while a girl to my right
silently mouthed the lyrics. Marcy Playground is undoubtedly on their way
up. A couple more singles like the current one and this band could find
themselves the proverbial contenders.
January 1998
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