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NY Rock Advertiser
Book and CD Reviews
by Spyder Darling and Jeanne Fury
     Etiquette for Outlaws
Weezer
Pennywise
 
Etiquette for Outlaws
 

Book Review: Etiquette for Outlaws (Harper Collins)
"Different strokes for different folks." Sly and the Family Stone summed up the fine art of being able to "live and let live" thirty years ago in their funky-ass anthem "Everyday People." Now writers Rob Cohen and David Wollock have, with the help of notable n'er do wells, dug deeper into the skills required to survive life on the mean streets and between rubber sheets. With their new book Etiquette for Outlaws, it's finally easy to be sleazy. If you've ever wanted to be a biker, gang-banger, porn star (and who hasn't thought they had some talent in at least one of these callings), Etiquette for Outlaws gives the basic "do's and don'ts" that'll help a desperado-in-training get his boot in the door.

It's a fast, fun read covering everything from the pain of various piercing locations to the best way to get your guilders worth with an Amsterdam, Mexican or Nevada prostitute. Hint: foreplay costs extra. There are plenty of informative illustrations and cunning quotes from such experts in the field as Deep Throat actress Linda Lovelace, ex-boxing champ Mohamed Ali and even skid-row poet-laureate Charles Bukowski. On jail, Buk says "Hey, they've got the wrong kind of bars in those places."

No matter what the name of your pleasure or poison, don't try it alone, without a condom, or a very expensive lawyer. Those are at least two thirds of the law in Outlaw Land. You might not want to reside there, but now, thanks to Cohen and Wollock, you too can be a rebel without a clue for a while and, best of all, not have to worry about catching an icky disease or having your big wheel stolen. – S.D.


CD Review: Weezer, Weezer (Geffen Records)
 Weezer
Rivers Cuomo is a cheerful dude. At least, he sounds like one. On their much-anticipated third album, the geeks of Weezer give an impressive performance worthy of getting to second base with the prom queen. Weezer (or, as I like to call it, The Green Album) is – to borrow a word from Destiny's Child – "bootylicious" rhythmic rock 'n' roll, with nods to the Beach Boys and danceable alternative pop.

Whereas 1996's Pinkerton album indulged in darkish, static-tinged overtones, The Green Album zips by with fun-loving Frankie-and-Annette rhythms. On almost every track, the band weaves a sweet singsong of "ooh whoa whoa," "hip hip," or "ooh-ooh-ooh" through the hard-rock strumming of guitarists Cuomo and Brian Bell. Add the drums of Patrick Wilson and the bass of new-Weez Mikey Welsh, and the resulting tempos are irresistible. Securing the songs' frisky drive are stellar big-guitar solos that'll have you playing air guitar in the shower.

The Green Album is an ass-kicker, but it doesn't stray from the emotional songwriting ethic: write sad songs with lots of heart-wrenching sensitivity, but make 'em rock. And Cuomo writes with the yearning of a little boy in a toy store. On "O Girlfriend," he sings, "I miss you/ And I wonder how you feel about me too" over a '50s-era melody. It's drama in simplicity. "Island in the Sun" has Cuomo feeling "so fine/ I can't control my brain." And when he begs, "gimme some love, gimme some love/ Sugar on the hard rock radio" in "Simple Pages," well, that's all he really wants. Geek love is good love. – J.F.


CD Review: Pennywise, Land of the Free? (Epitaph)
Pennywise
 
Long the band of the people, Pennywise have yet to morph into a bunch of cheeky, Top 40 alterna-goons. And on their seventh (yup, you're that old) studio release, Land of the Free?, Fletcher Dragge, Jim Lindberg, Byron McMackin and Randy Bradbury show no signs of softening or compromising their righteousness to sell albums. While the music has more or less stuck to a skate-punk sound over the years, the spirited aggressiveness hasn't been watered down.

Land of the Free? takes aim at World Trade Organization protests and Clusterfuck 2000 (AKA the latest U. S. Presidential election). Songs like "Fuck Authority," "Whose Side Are You On?" and "It's Up To You" are trademark Pennywise tunes. One of the many endearing qualities of their music is that it always sounds like music and not testosterone-laden chaotic noise. Lindberg's voice soars, pensive and pissed-off, as McMackin unleashes a hailstorm of drums and cymbals on each track. The charge of Dragge's guitar and Bradbury's bass are like fists pumping in the air at their live shows. Speaking of which, as a side note, last year Pennywise sold out the L. A. Sports Arena – allegedly the biggest punk show in L.A. history – and the band donated all of the proceeds to local charities. Now that's truly raging against the machine, thank you very much.

Land of the Free? doesn't dwell on the morose, hopeless attitude of the disillusioned, and Pennywise are not satisfied by merely exposing injustice – the members are fighters, and their songs are rally cries. If you're used to sitting on the couch and bitching about how life sucks, how no one's ever going to change the world for the better, how your day job is akin to eating staples, etc., it's best to let Land of the Free? smack your lazy ass out of your head. – J.F.

June 2001


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