The latest NY Rock banter:

Today's News:
Music
Movies
Entertainment

NY Rock
Confidential:
Cyndi Lauper,
  Joan Jett, Paybacks,
  Dollyrots,

Patti Smith,
  Johnette Napolitano
  (Concrete Blonde),
  Joey Ramone
  Birthday Bash
  with NY Dolls, etc.

Henry Rollins,
  Janeane Garofalo,
  Marc Maron, Gojira,
  Machine Head,
  Debbie Harry,
  Miss Guy, Pretty
  Boys, Theo and
  the Skyscrapers,
  Glass Hand

Didi's Back:
Miss Lez 2007
Zombies Attack

Dear Dr. Dot:
Sex advice

Jeanne's & Otto's
(Incredibly Awesome)
Blog

Soft Porn Central

TRUE! Cartoons


 
 
Almost Good! Almost Famous Movie Review by Spyder Darling

Almost Famous
Patrick Fugit as William Miller
  
As rock 'n' roll movies go, if Spinal Tap goes to eleven, Almost Famous peaks out at 7. Writer/producer/director Cameron Crowe's latest is a romantic comedy with Billy Crudup as Russell Hammond, a mysterious lead-guitar superstar of the band Stillwater, which boasts all the buffoonery and bombast of future VH1 "Where Are They Now" artists with about 1/10th the talent.

Though Crudup gets top billing, new kid on the marquee, and Corey Feldman-lookalike, Patrick Fugit is the tuning peg around which the e-string of the movie's action revolves. Fugit plays William Miller, a fifteen-year-old rock writer befriended by real-life renegade journalist Lester Bangs, almost convincingly played by Philip Seymour Hoffman (Boogie Nights, The Talented Mr. Ripley).

Tossed in, road hard, and put away nearly dead from a Quaalude overdose is Penny Lane, played with Drew Barrymore preciousness by Kate Hudson. Penny's a super groupie whose gaggle of girlfriends, "the Band Aids," are obviously inspired by the Girls Together Outrageously, whose plaster-encased sexual exploits are the stuff of many a rock 'n' roll cream dream.

While great rock 'n' roll movies like Spinal Tap and A Hard Day’s Night tackle such quintessential questions as "Which way's the stage?", "Whose clean old man is this?" and "Am I really fifty?" with cheeky good humor, this movie's plot is a syrupy soap opera filled with "ships that pass in the night" and "didn't the last six weeks mean anything to you?" heartstring zingers. Alas, Hudson and the Band Aids trail behind Stillwater's "Almost Famous" 1973 American tour like a wake of pubescent piranhas. Cute as they are, Kate and the crew are passed around like appetizers at a record release party while the young writer William tries to define what's on and off the record regarding the tour's carnal comings and goings. Should he violate the trust of his new rock star friends and truly tell the tale of their human frailties or give into the unlimited excess of backstage access? When in doubt, William calls up Lester Bangs, who is always home and usually awake listening to Guess Who records.

 Almost Famous
Kate Hudson as Penny Lane
Among the handful of other half-baked sub-plots is William's attempt to corner Russell for the illusive interview that will turn his first feature story into a piece worthy of the coveted cover of Rolling Stone. It's something both the scribe and his subjects want but are too hip to mention for fear of being one with "the enemy" of mainstream acceptance.

Not to forget Francis "Fargo" McDormand, as William's mother Elaine, a college professor whose less than progressive views drove her adventure-seeking daughter Anita (Zooey Deschanel – how many Scrabble points is that name worth?!) as far away from the family unit as possible. Despite her quasi-liberal occupation, Elaine refers to Simon & Garfunkel's songs as "the poetry of drugs and promiscuity" and insists that William call her twice a day and not miss any exams while he's on the road with Stillwater. Not surprisingly, considering her talent for subtlety, McDormand is both comedic and convincing in her role as William's single mom, a woman who wants the most for her kids, even though she understands the least about the times in which they live.

So, what's it all mean? Killer bong hit or skunk beer backwash? Two hours later, Almost Famous is a stylish recreation of a time when classic rock was king and "the music" really mattered – at least to the bands that defined the times, the girls who followed them and the hopelessly less-than-cool souls who wrote about them. If you were old enough to remember back when Led Zeppelin ruled the skies, Sabbath scoured the underworlds, and have a soft spot for melodramatic nostalgia, then maybe Cameron's creation will be worth your time and money. Personally, I expect more from a rock 'n' roll movie than an 8-track tape loop of quaint counter-cultural references and would rather go under a series of Spinal Taps.

September 2000

Send this page to a friend • More movie reviews • Mailing list • Current stories

NY Rock Home Page

 
 
  
Other features:

- Email Spyder Darling
- Join our mailing list
- Send this page to a friend
- More of Spyder Darling's reviews
- Classifieds
- Contact us
- Gallery
   

Indie Bible

NY Rock Advertising

h